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Jabraat

Jabraat (2026) is a heartfelt Marathi musical drama on college love, friendship and the hidden identity of Lavani dancers’ children. With seven soulful songs, a spirited cast and sincere direction by Pragati Kolage, it earns 4.5/5. Now streaming on Waves PB.

• Released: 30 October 2026
• Runtime: 2h 22m
• Language: Marathi
• Genre: Drama
• Director: Pragati Baburao Kolage
• Cast: Ayush Sanjeev, Anushka Sarkate, Mandar Mokashi, Sanjay Mone
• Where to watch: Waves PB
• Our rating: 9/10

Our review

Some films entertain, and a rare few make you think about the people sitting next to you in class. Jabraat is a Marathi musical drama set in contemporary college life, where love takes many forms and music carries the story. Director Pragati Kolage builds seven songs, from romantic ballads to folk-rich Lavani numbers and a motivational anthem, around a real social issue: children of Lavani folk dancers hiding their identity in educational institutions. Now streaming on the Waves PB OTT platform, this 2 hour 22 minute film deserves your attention.

Jabraat is a feel-good yet meaningful Marathi musical that mixes campus romance, friendship and folk culture. It stands out for its sincere handling of a rarely discussed issue, the stigma faced by children of Lavani artists, without losing the youthful energy of college life. With seven well-placed songs, a spirited young cast and a confident debut-level vision from Pragati Kolage, the film works for both music lovers and drama fans. 

Cast and Crew

Plot Summary

Jabraat follows a group of college students whose lives are shaped by friendship, love, rivalry and a deep connection to Maharashtra’s folk traditions such as Lavani and Tamasha. As the characters explore what love means to each of them, the story turns to a sensitive issue: students who hide their family background, being children of Lavani dancers, out of fear of judgment on campus. The film asks why talent and heritage should ever be a source of shame, and answers with music, courage and heart.

Performances

Ayush Sanjeev carries the film with a natural, charming lead performance. He is easy to root for, and his emotional moments feel honest rather than staged.

Anushka Sarkate is a standout. She balances vulnerability and strength with grace, and her screen presence keeps the emotional core of the story engaging.

Mandar Mokashi brings warmth and sincerity to his role as Alok. His timing and ease on screen add real texture to the college-life scenes.

Sanjay Mone is dependable and effortless. His experience lends authority to every scene he is part of.

Ganesh Yadav delivers a polished, believable performance that adds depth and credibility to the drama.

Surekha Kudachi brings a grounded, heartfelt presence. Her work gives the film’s cultural and emotional themes extra weight.

Vanita Kharat is a delight to watch. Her expressive screen presence lifts every scene she appears in.

Rahul Chavan adds energy and likeability to the ensemble, and his scenes help keep the campus world lively and real.

Vikram Alhat makes a strong impression with a confident, well-measured performance that supports the story nicely.

Ayli Ghiya brings freshness and charm to her role, fitting naturally into the youthful spirit of the film.

Pragati Kolage, who also directs, steps in front of the camera as Akka and brings sincerity and dignity to the character. It is a moving reminder of her personal investment in the film’s message.

Hindavi Patil, Shreya Shanker, Rushabh Gaikwad and Jaywant Wadkar each add vibrancy to the ensemble. Their natural camaraderie makes the college friendships believable and fun to watch.

Technical Analysis

Direction

Pragati Kolage handles a layered subject with sensitivity. She weaves romance, humour, music and social commentary into one cohesive story and keeps the focus on heart and honesty over melodrama.

Cinematography

Aniket Khandagale’s camerawork captures campus life and the colour of Lavani performances in an appealing, easy-to-watch style, keeping the song sequences visually lively.

Music and Score

Dr. Jaibhim Shinde’s seven songs are the soul of the film. They range from romantic ballads and folk tunes to a motivational anthem, and the Lavani numbers are especially well tuned. Strong vocals from Manjusha Shinde, Pragati Kolage, Swati Shinde, Rajnandini Magar and Gayatri Saraf lift the album, and Sagar Sapkale’s background score supports the emotion, while Ashish Patil’s choreography adds energy to the folk sequences.

Editing

The editing by Pragati Kolage and Dujay Dhutakar moves between the story and the musical sequences smoothly, keeping the film’s emotional beats connected.

Strengths and Weaknesses

Strengths

• A sincere, socially relevant story about the hidden identity of Lavani dancers’ children
• Seven memorable songs across romantic, folk and motivational styles
• Well-tuned Lavani numbers that celebrate Maharashtra’s folk heritage
• A fresh, committed cast with natural chemistry
• A relatable, youthful take on college life and different shades of love
• Confident direction from Pragati Kolage with a clear message

Weaknesses

• At 2 hours 22 minutes, the runtime may feel long to viewers expecting a tighter pace
• With so many songs and subplots, a few side characters could have used more screen time

Final Verdict: 4.5/5 stars

Jabraat is a warm, musical and meaningful Marathi film that proves entertainment and social awareness can go hand in hand. It has a strong message, soulful music, and a cast that gives its all. If you enjoy music-driven dramas, Marathi cinema or stories that champion cultural pride, this is well worth your time.

FAQs

What is the certification rating of Jabraat?
Jabraat is rated UA 7+, so viewers under 7 should watch with parental guidance.

Is Jabraat suitable for children and family viewing?
Yes. It is a music-led college drama with a positive message, suitable for family viewing, and parents may want to guide younger children through its social themes.

Is Jabraat based on a true story?
The film is not billed as the true story of any one person, but it highlights a real social issue: children of Lavani folk dancers concealing their identity in educational institutions.