In this With Love movie review, we explore a film that arrives like a gentle breeze in Tamil cinema’s romantic landscape. When was the last time you walked into a theater expecting another predictable love story and walked out feeling genuinely charmed by something honest and heartfelt? With Love doesn’t reinvent the romance genre; instead, it reminds us why we fell in love with love stories in the first place—through authentic emotions, relatable characters, and that beautiful ache of nostalgia.
Director Madhan crafts a romantic drama that understands modern relationships while celebrating the innocence of first love. This is Anaswara Rajan’s most enchanting performance yet, supported by Abishan Jeevinth’s earnest portrayal and a technical team that wraps everything in warm, youthful visuals. With cinematography that screams freshness and music that tugs at heartstrings, With Love is the cinematic equivalent of that perfectly comfortable coffee date that turns into something unexpectedly meaningful.
Quick Takeaway:
With Love is a charming, self-aware romantic drama that succeeds brilliantly in capturing the complexities of modern relationships through nostalgia and genuine emotion. Though the screenplay occasionally loses momentum amid character development, the film’s heartfelt approach, standout performances, and that beautiful exploration of school-day romance make it essential viewing for anyone craving progressive, feel-good Tamil cinema.
Language: Tamil
Age Rating: U/A
Genre: Romantic Drama, Contemporary Romance
Director: Madhan
Runtime: 2 hours 21 minutes
Release Date: February 6, 2026
The Plot: Love, Closure, and Self-Discovery
At its core, With Love is a story about finding yourself while searching for love—and what beautiful storytelling that is. The film’s genius lies in its unique premise: two people helping each other find closure with past loves before discovering they might be perfect for each other.
Sathya Seelan (Abishan Jeevinth) is an insecure yet endearing young man longing for meaningful connection. His caring sister (Anandhi) sets him up with his school junior Monisha (Anaswara Rajan), and what begins as a simple coffee date transforms into an emotional journey neither expected.
Both Sathya and Monisha carry unresolved feelings for their school crushes. In a refreshingly honest twist, they decide to help each other track down these past loves to express what was left unsaid. Through this unconventional quest, they discover compatibility, confront insecurities, and learn what it truly means to be ready for love.
The beauty of this approach is how it liberates both characters. When you’re helping someone else chase their dreams, you often discover your own. When vulnerability becomes shared experience rather than weakness, suddenly the physics-defying magic of first glances and held hands isn’t just nostalgia—it’s a roadmap to understanding yourself.

Performances: Every Actor Brings Heart to the Screen
Anaswara Rajan: The Soul of With Love
This With Love movie review must begin with the obvious: Anaswara Rajan is absolutely magical. She doesn’t just play Monisha; she embodies every contradictory, wonderful aspect of a woman who knows what she wants but is still figuring out how to get there.
Watch her navigate comedy with those little expressions, that spark of backbencher ruggedness, the love shining in her eyes—it’s a performance that makes you fall for the character instantly. She brings such natural charm to every frame that even unconvincing narrative transitions feel authentic through sheer performance skill. This is an actress at the peak of her powers, turning what could have been a standard romantic lead into one of Tamil cinema’s most likeable characters this year.
The way she executes comedy deserves special mention. Whether it’s the mischievous glint when discussing FLAMES games or the vulnerability when confronting feelings, Anaswara makes every emotional beat feel earned and genuine.
Abishan Jeevinth: Finding Truth in Vulnerability
Abishan Jeevinth delivers an honest, grounded performance that grows more impressive as the film progresses. Yes, the school flashback portions show some inexperience, but that’s the character’s journey too—from awkward teenager to a man learning to navigate emotions.
His portrayal of Sathya in present-day portions is where he truly shines. The vulnerability, the fear, the shy awkwardness of approaching someone special—he makes the boy-next-door archetype feel fresh and relatable. There’s a restraint in his performance that serves the character beautifully. He never oversells the emotion; instead, he lets moments breathe, allowing us to see Sathya as someone we might know, might be, or might have been.
Check Out: Director Abishan Jeevinth Makes Acting Debut in Tamil Film ‘With Love’
The Supporting Cast: Moments That Matter
Anandhi brings warmth to every scene as Sathya’s caring sister. Her video call sequences establish a sibling dynamic that feels genuine, even if we wish there were more of it.
Kavya Anil as Esther absolutely lights up the screen in her school sequences. She captures that innocent, nostalgic quality that transports us back to simpler times when everything felt monumental.
The ensemble works because everyone plays emotions truthfully. No one is just serving the plot; they’re living these relationships, making even brief appearances feel significant.

Direction and Vision: A Director Who Understands Romance
Madhan makes the kind of thoughtful directorial choices that mark him as a filmmaker who respects both his audience and his genre. There’s a patient, observational quality to his approach—he lets scenes develop naturally, trusts silences to convey as much as dialogue, and understands that romance blooms in the spaces between words.
The way he uses the nostalgic school sequences is particularly effective. Rather than indulging in excessive flashbacks, he weaves them organically into the present narrative, showing how past experiences shape current vulnerabilities and desires. The FLAMES references, the glances that meant everything, the overwhelming significance of held hands—these aren’t just callbacks; they’re emotional architecture.
His handling of modern relationship dynamics shows genuine insight. By letting Monisha actively pursue what she wants, by showing Sathya’s insecurities without judgment, by allowing both characters to be flawed and learning, Madhan positions With Love within the progressive wave of 2020s romantic dramas like Aaromaley and Ithiri Neram.
The pacing occasionally becomes contemplative when tighter momentum might serve better, but there’s something refreshing about a romantic drama that isn’t afraid to slow down and let us simply spend time with characters we’ve grown to care about.
Check Out: CBFC Clears Rajinikanth’s Daughter’s Film ‘With Love’ for Release
Technical Brilliance: Crafting a Warm, Youthful Romance
Cinematography: Freshness in Every Frame
Shreyaas Krishna’s cinematography is an absolute triumph. The visuals scream freshness—they’re warm, colorful, and impossibly youthful. Every frame feels carefully composed to capture not just what’s happening, but how it feels.
The color palette deserves special mention. Warm tones dominate, creating an inviting atmosphere that makes the romance feel like something we’re experiencing alongside the characters rather than merely observing. The school sequences have a slightly dreamy quality, perfectly capturing how memory softens and beautifies the past.
What’s particularly impressive is how the cinematography enhances emotional beats without overwhelming them. A lingering shot here, a slightly out-of-focus background there—these subtle choices create visual poetry that serves the story.
Sound Design and Music: Sean Roldan’s Gift
Sean Roldan’s music and background score elevate With Love from pleasant to memorable. His compositions understand exactly when to swell and when to step back, creating an emotional soundscape that never feels manipulative.
The songs integrate seamlessly into the narrative, each one advancing either character development or emotional progression. They’re not just musical breaks; they’re storytelling tools. The background score maintains the film’s refreshing quality throughout, using gentle instrumentation that complements rather than overwhelms the performances.
The incorporation of “Aval Varuvala” from Nerrukku Ner aims for nostalgic resonance. While it might not land perfectly for everyone, it demonstrates the film’s commitment to celebrating cinema’s romantic traditions.
Editing: Maintaining Emotional Flow
The editing keeps a romantic drama of 141 minutes feeling engaging throughout most of its runtime. Transitions between past and present are smooth, maintaining narrative clarity while building emotional connections. The film breathes when it needs to, allowing quieter character moments their full impact before moving forward.

Cultural Context: A Love Letter to Modern Romance
This With Love movie review must acknowledge that the film beautifully captures the evolution of Tamil romantic dramas. It joins films like Aaromaley and Ithiri Neram in offering fresh perspectives, giving women agency, and presenting balanced, sensible takes on relationships.
The exploration of how bullying, introversion, and insecurities shape romantic approaches feels particularly relevant. With Love doesn’t just show two people falling in love; it shows two people learning to be worthy of love—both giving and receiving it.
The film’s progressive elements shine through naturally. Watching Monisha confidently pursue what she wants, seeing Sathya learn that vulnerability isn’t weakness, experiencing both characters help each other grow—these feel like organic character choices rather than checkbox exercises in modern sensibility.
What Works Magnificently
- Anaswara Rajan’s enchanting, career-highlight performance – Natural charm, perfect comic timing, emotional authenticity
- Fresh, progressive approach to romance – Agency for both characters, balanced dynamics
- Shreyaas Krishna’s stunning cinematography – Warm, youthful, visually poetic
- Sean Roldan’s beautiful musical landscape – Songs and score that enhance every emotion
- Nostalgic exploration of school romance – FLAMES, glances, first love captured beautifully
- Abishan Jeevinth’s honest vulnerability – Grows into the role, makes Sathya genuinely relatable
- Strong supporting performances – Everyone brings authenticity to their roles
- Thoughtful direction from Madhan – Patient, observant, respects the audience
Minor Areas for Growth
- Sibling relationship could use more development – More scenes establishing Sathya and his sister’s bond would deepen emotional impact
- Pacing occasionally contemplative – Some second-act sequences could be tighter
- Certain transitions need smoother execution – Though performances compensate beautifully
Final Verdict: 4/5 Stars ⭐⭐⭐⭐
With Love is exactly what Tamil romantic cinema should be—a film that honors tradition while embracing progress, that celebrates emotional honesty, and that trusts audiences to appreciate characters who feel like real people navigating real feelings.
This With Love movie review celebrates a film that succeeds in all the ways that matter. Yes, some narrative elements could be tighter. Yes, certain relationships could be more fully developed. But these are gentle observations about a film that gets the fundamentals so beautifully right.
Anaswara Rajan reminds us why she’s become one of tamil cinema’s most beloved performers—through choices that feel natural, comedy that lands effortlessly, and emotional depth that resonates long after the credits roll. Abishan Jeevinth proves he’s an actor willing to embrace vulnerability and honesty. And the entire ensemble demonstrates that Tamil cinema’s romantic dramas thrive when everyone commits to emotional truth.
For Madhan, this film establishes him as a director who understands that modern romance requires both nostalgia and progress, both sweetness and substance, both individual journeys and shared destinations.
A Romance That Feels Like Coming Home
There’s a specific joy in watching a film that simply wants you to feel good about love again. In a world that can feel cynical about romance, With Love offers something refreshingly earnest—a reminder that vulnerability is courage, that helping others find happiness can lead to your own, and that sometimes the person meant for you is right there, helping you chase someone else.
After the complexities and complications of modern dating, With Love delivers a story that feels both contemporary and timeless. This is what happens when talented actors, a thoughtful director, and a committed technical crew decide that “good enough” romance isn’t good enough—that audiences deserve characters they can root for, emotions they can recognize, and a love story that reminds them why romance still matters.
The sweetness is intentional. The nostalgia serves the narrative. And somewhere in all that warm cinematography and Sean Roldan’s beautiful music is a genuine celebration of love itself—honest, charming, and absolutely worth your time.
Recommended for: Anyone who believes in the magic of meaningful connections, fans of progressive Tamil romance, Anaswara Rajan admirers, and everyone who remembers when a glance across a classroom could make your entire day.

